Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Johann Heinrich Fuseli
Liegende Nackte und Klavierspielerin

ID: 71909

Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin
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Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin


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Johann Heinrich Fuseli

1741-1825 Romanticism Swiss   Related Paintings of Johann Heinrich Fuseli :. | Die Einsamkeit bei Tagesanbruch | Titania is leevtallig met Bottom met de daare Eselkopp | cauchemar | The Artist Moved by the Grandeur of Antique Fragments | Lady Macbeth receives the daggers |
Related Artists:
John Rogers
American Sculptor, 1829-1904, He was an American sculptor who produced very popular, relatively inexpensive figurines in the latter 19th century. He became famous for his small genre sculptures, popularly termed "Rogers Groups", which were mass produced in cast plaster. A total of 80,000 copies of almost 80 Rogers Groups were sold across the United States and abroad. At the height of their popularity, Rogers' figurines graced the parlors of homes in the United States and were found as far away as Chile and Australia. The English novelist Charles Reade furnished his home with all the Rogers figurines available to him, and in the Dakota Territory, Lt. Col. George Custer and his wife had one.
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
TOURNIER, Nicolas
French Baroque Era Painter, 1590-ca.1638






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